Suddenly, there's a frantic knock at the door. Once inside her flat, the youngster takes off her coat and gets changed to the strains of a Rossini Symphony. We also see that there's a suspicious looking character lurking around in the shadows trying to remain as inconspicuous as possible. She kisses her female partner goodbye, then heads up the staircase into the building. A car pulls up outside an apartment block in the middle of the night, and out steps a young student. After it plays over the credit sequence, we're thrown headfirst into the action. Surprisingly enough, and adding further flame to the Film's girl power' agenda, the only male that's signifigant in the screenplay finds himself thrown at the mercy of his ex-wife (now there's a thought) in order to help him prove his innocence! Symphony of Evil even boasts a classy score that's vaguely reminiscent of John Williams' theme from Oliver Stone's masterpiece JFK. There's no needless nudity or even any slight references towards it and to be honest, it isn't something that's missed. Director Craig Nahiff also accepts with glee, the challenge of giving his female characters complete control of the script without relying on sexual overtones to make them appealing. She's a life-like young woman that finds herself in a tricky situation, which helps to give the film an undeniably naturalistic edge. For example, the heroine of the feature is not an archetypal buxom bimbo that's played simply for eye candy instead of character. It succeeds mainly because it chooses to follow the path of down to earth realism over farfetched gore and gratuitous shock tactics.
#Coda 2 students movie
Taking a large slice of Halloween's appetizing pie and filling the spaces with a few Hitchcockian nods just for good measure, this confident TV movie is perhaps one of the most commendable and long forgotten late entries to the stalk and slash cycle. Then I discovered the ambitiously restrained and meritoriously tense Symphony of Evil. First I came across the creepy Cassandra, which mixed erratic photography and razor sharp editing to a surprisingly credible effect. It's fairly ironic then that within the space of a month I've found two credible efforts that successfully manage to disprove that age-old fallacy. Weimar, Weimar,Ĭhair of Foundation Engineering, Soil and Rock Mechanics, Ruhr-Univ.As I've said before, it's an often-touted fact amongst those who know their horror movies that the Australians haven't exactly excelled themselves with the level of their output within the slasher genre. In result of the tests, the coda wave interferometry emphasized its large potential for the time-lapse monitoring of soils. The wave excitation and recording was done by piezoceramic bender elements. Different material, well-known sands and artificial glass beads are analysed in this experimental study by conventional volume measurements and seismic methods to detect the stress and porosity changes. Whereas the perturbations are caused by small changes in stress and void ratio. The method is used to detect the wave velocities change related to small soil perturbations. We discuss the application of a new seismic method for geotechnical experiments-the Coda wave interferometry. For studying the change of state parameters in granular materials, the identification of the velocity evolution can be a challenge in particular if the perturbations are small. In particular when the environmental conditions are non-stationary. The wave velocity differs substantially with the porosity, surrounding pressure, degree of saturation and other parameters in soils. The determination of wave velocities in soils captures an important role for small-strain parameter in constitutive modeling as well as in monitoring processes of the state.